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The Synth-Pop Duo's Musical Force Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) established Soft Cell alongside Marc Almond at Leeds during 1977

The talented musician, a key member of the pioneering 1980s synth-pop duo Soft Cell, has passed away at the age of 66.

Alongside vocalist Marc Almond, the pair achieved a global success with their version of Gloria Jones' the classic track Tainted Love in 1984, and their debut album their initial full-length release is considered a classic of synth-pop.

He later formed the pioneering techno group The Grid, who secured chart success with their 1994 single the hit Swamp Thing.

Ball passed away peacefully in his sleep at his home in London on Wednesday 22 October, just weeks after performing a featured performance with Soft Cell at the Rewind Festival in the Thames-side town.

Health Struggles

During that performance, Ball appeared in a mobility chair, as he had for the previous couple of years, following a spate of health issues.

"I managed to injure myself significantly," he commented in 2023. "I broke lower vertebrae in my spine and cracked about five ribs and broke my arm."

Following catching a lung infection and suffering from blood poisoning, he was placed in an induced coma and stayed in the hospital for seven months.

Nevertheless, he had been in "high spirits emotionally" during the warmer months, as he worked on a new album with Almond, titled the upcoming Danceteria, which is scheduled for release in the coming year.

"He was focused and very pleased with the latest project that we literally finished only a short time ago," stated the singer in a heartfelt message.
"It's truly heartbreaking as next year was all set to be such an uplifting year for him, and I find comfort from the knowledge that he listened to the completed album and felt that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the electronic music scene in the early 1980s

Heartfelt Messages

Almond referred to his bandmate as "a wonderfully brilliant musical genius", adding: "He was the heart and soul of Soft Cell and I'm extremely pleased of our legacy.

"Many thanks Dave for being an immense part of my life and for the songs you gave me. I couldn't be where I am without you."

Richard Norris from The Grid, also paid tribute, recalling Ball's "endless laughter" and "unwavering friendship".

"Forming a partnership with someone is different from being in a group, the connection is very tight," he continued.
"That was the case with us. We went through so many extraordinary, incredible, memorable experiences together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, pictured at a radio station in recent years

Formative Years

Brought into the world into a single-parent household in the city of Chester in 1959, Ball was put up for adoption when he was a year and a half old.

He was raised in the seaside town with adoptive parents Donald and Brenda Ball, who changed his given name from Paul to David, alongside his younger sister Susan, who was similarly welcomed.

He encountered Almond at Leeds Polytechnic in the late 70s, where they were both studying art. Fuelled by a mutual passion of Northern Soul, they formed Soft Cell the very year, and quickly recorded an EP.

Creative Collaboration

The pair were an distinctive pairing: Ball was the reserved technician, hunched over his synthesizer, while Almond was a charismatic showman, all glitter and eye-liner; but they achieved a unique musical alchemy.

Ball had cultivated a interest with synthesizers after watching the band Kraftwerk appear on BBC science show Tomorrow's World, and started to combine dark electronica to the catchy tunes Almond was writing.

Their signature song became the United Kingdom's second biggest-selling song of 1981, selling 21 million units globally. Together with successful tracks by Gary Numan, Human League and Ultravox, it helped cleared the path for the synth-pop sound of the 1980s.

The song was also featured on their first album, their initial LP, which produced two additional top five hits: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the separate release, Torch, which peaked at number two in 1982.

Soft Cell in the studio
The pair were working on fresh songs until just before Ball's passing

Career Highlights

Success had its upsides. "I loved being able to purchase my initial property, having financial security and travelling, which makes me sound like a Miss World," Ball not long ago shared with a publication.

But it also caused challenges. "Newfound wealth meant we could purchase newfound drugs to relieve the monotony" of media interviews and TV performances, Ball said.

"I realize that's a cliché, but it's a cliché for a valid cause, because it applies for so many bands."

During the party-filled existence, the duo were also drifting apart, but they managed to produce a follow-up classic album - the wayward, edgy and aptly-titled The Art Of Falling Apart.

They put out another album, 1984's This Last Night In Sodom, before ending the group to focus on other projects.

Almond went on to have a prosperous solo career, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined acid house with melodic sounds over a enduring partnership.

Later Work and Comebacks

Soft Cell reunited in 2001, releasing the Top 40 record Cruelty Without Beauty.

After another hiatus, they returned in recent years, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a final performance at the large venue on 30 September, that year.

Yet, they stayed active, recording their latest project, Happiness Not Included, during the pandemic Covid lockdown.

Ball lately described the duo's upcoming release as a homage to the New York club scene they frequented while recording their first two albums.

He added that his time in hospital had shaped the group's music.

"I experienced unusual memories when I was in and out of hospital because I was on morphine," he explained to a publication.
"Our latest tracks are a electronic representation of the sounds in my head from those days.
"In parallel, it's about the experiences me and Marc had in the 1980s."

The final mixes were completed only days before Ball passed away. It is scheduled for release in the spring of 2026.

JW
About the author

Joseph Watkins

Elara Vance is a freelance music journalist and cultural critic based in London, with a passion for uncovering emerging artists and trends.

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